Digital Poetics 3.30 Two Poems from ‘Centre’s Reserve’ by Mantra Mukim

lush metal

small offerings 
to the new 
Hyundai Santro 
Zing manual 
sandalwood paste 
in the brahmin mix
coconut water  
& white rice
patted down 
swastika
slowly melting 
over typhoon grey 
metal bonnet 
Uncle parks it
across the gate 
under the dead 
but fibrous
machinery of 
jacaranda tree 
its mihrab-shaped
hollow 
pampered with
wind’s many gifts
sparrow’s testimony
& makrana marble 
debris 
all the way from
Empire Heights
construction site
with an empty 
Lays Spanish
tomato tango 
sudden hailstorm 
quietens the frame 
with its dedicated
patter
accumulation 
of ice bricks 
hail falls 
an absolute falling
of spare parts
lacking body
slipstreaming 
birthing
new weights 
on landing- 
sites chosen
without tact
roots turn shoots
tarp bellies 
thousand calories richer
post and lintels
carpet stained 
overhead wires
paddy stocks
in open field 
mangled ozonal lines 
chisels on the 
tarmac
curious in its curve 
storm snatches 
brother’s 
maroon knickers
off ropes 
pixelated in sky 
deep cerulean 
balls 
awoken tree
roots
with their 
vague metaleptic 
feet on Santro’s
dash board 
nailed in 
what could 
be more moving 
than words
on its registration papers 
snug 
in the backseat
legible through
the storm
jagjeet singh 
cassette still
hot in the holder
withering
offers one voice 
droning
over visible land
frosted 
sugar-apples in
monsoon’s
small hands
standing erect 
named 
in insurance 
cheques & frauds
uncle remembers
celebration beers 
behind closed doors
as the storm 
shook through
narrow gauges
everywhere
noodles over
drain holes
in unchecked wonder
metal’s anarchic will 
unheard
through our balconies
there were 
three crows hiding 
beside the gear box
when we found 
the Santro
cracked 
to the bone 
body with all 
its organs 
still inside it
& some new ones
the ground 
had not opened
a toenail
littered diamonds
uncle’s one earpin
& worlds within it 
unstirred
roughage for city’s steel 
slouching
thick with air
uncle’s alphabets 
falling like 
no other
clutching 
disaster’s passing
index finger
for it delivered
that slow 
fracturing tickle 
to his
lush metal


through sur

fish me out
for good 
this time
by your mercy
murari
wading through
sludge
the ocean 
of this world
illusion embracing
flickering 
halogen
moths collecting 
over billboard
selling top-tier 
Assam Tea
first flushed
this is some 
seriously deep
waters
toe-up greed
sends electric
waves
through 
the surface
fired vibrating 
matter
in dull carcass of
march light
waves thudding
solid grey
extractions 
and the ever 
fastening 
grips 
of drowning 
take me 
further in the 
throes of
marketplace 
its rage
& a constant lust
& camaraderie
of those friends
of the arcade
who detain
me from seeing 
the lifeboat
with your 
name on it, murari,
the boat that 
could have 
pulled a quick one
on these deep
pelagic noises 
chimera
my affects &
sense-complex 
nibble at me 
like fishes in 
these waters
my own 
follies 
deadweight 
owing which 
i can’t 
find a footing 
anywhere 
in the endless 
drift 
delicate hands
of seaweeds
keep me 
exactly 
where i am
in the steamer 
from Jaws 
shouting
‘smile you 
son of a bitch’ 
to various
waters mixing 
near the stern
bullet for 
an opening
tired 
living without
life
haven’t i left
enough messages
to plead your
mercy 
Shyam, the one and 
only, from Braj
would you please
just rescue
me now 
picking me 
up in  
your thickboi 
arms

*

Mantra Mukim is from Raipur, India and is currently researching Samuel Beckett at Warwick University. His poetry and essays have appeared in Hotel, Spamzine, Poetry Review, Magma, Almost Island, and The Drift.

*

The moral right of the author has been asserted. However, the Hythe is an open-access journal and we welcome the use of all materials on it for educational and creative workshop purposes.

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Digital Poetics 3.31 a defence of derived and volatile distances by Harry Brooks-Kent

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Digital Poetics 3.29 On the Fly with Andy Robert by Hannah Hutchings-Georgiou